Manon at the Theatre Royal, Glasgow ****
André Barbe’s gold-drenched set is the centre-piece in a production that implies sordidness without showing its knickers. Continue reading ››
André Barbe’s gold-drenched set is the centre-piece in a production that implies sordidness without showing its knickers. Continue reading ››
Joseph Swensen, sometime violin virtuoso, conductor and composer, directs his new symphony, The Fire and the Rose. Continue reading ››
These two mini-recitals are typical of the pianist’s imaginative programming. Mendelssohn’s very unfrivolous Variations Sérieuses are complemented subtly by Beethoven’s magisterial Sonata Op 111. Continue reading ››
Scottish Opera fills in the gaps in its rather sparse repertoire this season - it has been three months since the last staged mainscale opera - with a concert performance of Bellini’s blockbuster I Puritani, a rather silly tale of love and madness ‘twixt Roundhead and Cavalier set in Plymouth. Continue reading ››
A few years ago the Royal Scottish National Orchestra, under its new music director Stéphane Denève, made its debut in Paris with a world premiere by the young Parisian composer Guillaume Connesson. In the cut-throat, passionate world of Parisian new music, it was rumoured, rather thrillingly, that some people had come along that evening just to boo. Continue reading ››